Bibliography

2004

  • Faingold, Scott, โ€œUrban Experienceโ€, Houston Press,16-18 September 2004.
  • Gennoccio, Benjamin,โ€œSkeletons of Sweetness and India Ink Mutantsโ€,The New York Times, 20 June 2004.
  • Glentzer, Molly, โ€œSculptor Sees White House As a Way To Inform Votersโ€, Houston Chronicle, 17 September 2004.
  • Lon Harrist, Eileen, โ€œNews & Viewsโ€,Gambit Weekly, New Orleans, LA, 10 August 2004.
  • Rousselot, Fabrice, โ€œLes Artistes Se Mobilisent Contre Bushโ€, Le Figaro, Paris, France, October 2004.
  • Sean, Buffalo, โ€œArt Things to Ponderโ€, Free Press Houston, 1-15 September 2004

2003

Lombardi, D. Dominick, โ€œSigns & Symbols, a Conversation with Karin Giustiโ€, Sculpture June: 53-57

2002

  • Carney, Margaret, Ph.D. โ€œVisual Perspectives: Fourteen Years of the Virginia Groot Awardsโ€, The Virginia A. Groot Foundation 2002: 68-71.
  • โ€œChelsea Risingโ€, Art Papers September-October 2002: 38-39.
  • Stewart, Mary, “Launching the Imagination”, McGrawโ€“Hill Higher Education 2002: 9-19.
  • Young, Lucie, โ€œBarn Noble: This Converted Barn was Transformed into an Elegant Home for a Professional Couple and their Artโ€, Metropolitan Home May/June 2002: 137-143

2001

  • Berwick, Carly, โ€œKarin Giusti, Nikolai Fine Artโ€, Art News November 2001, vol. 100, no. 10: 179.
  • Television Rai Uno, Artissima Fair Coverage, Turin, Italy
  • Bookhardt, Eric D., โ€œReviews Southwest: New Orleansโ€, Artpapers September/October 2001, vol. 25.5: 28 & 39.
  • Carlson, Nina, โ€œPaperโ€, The Aldrich Museum of Contemporary Art, Exhibition Catalogue, Ridgefield, CT 21 January- 20 May, 2001: 20-21.
  • Heartney, Eleanor, โ€œChelsea Rising at the Contemporary Arts Centerโ€, Art in America November 2001, no. 11: 155.
  • Israel, Stephen, โ€œAcclaimed Artist Prizes Her Place in Communityโ€, The Times Herald Record , 3 July, 2001.
  • โ€œNew Orleans: the Chelsea Risingโ€, Flash Art News May/June 2001:78.
  • Princenthal, Nancy, โ€œPaper, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticutโ€, Art on Paper July-August 2001.
  • Rubins S. David, โ€œChelsea Risingโ€, The Contemporary Arts Center, New Orleans, LA, 3 March-9 June 2001: 9,44.
  • Schwendener, Martha, โ€œKarin Giusti, Nikolai Fine Art”, ArtForum November 2001, vol. XL, no. 3: 147-148.
  • Zimmer, William, โ€œOn Paper a Show that Measures Upโ€, The New York Times, 18 March 2001

1999

  • โ€œArt at the St. John the Divine, Karin Giusti: Safety Netโ€, SIMON SAYS, A Critical Guide, NY, December 1999.
  • โ€œBILLBOARDS, Art on the Roadโ€, Mass MOCA. The MIT Press 1999: 22. (Conโ€Ÿt)
  • โ€œExhibitions Artโ€, The Cathedral of Saint John the Divine, Newsletter Winter 1999, vol. 12, no. 7: 2

1998

  • Dunne, Adrian, โ€œGrand Scale Exhibition in Limerickโ€, The Irish Times 14 October 1998: 12.
  • Fletcher, Annie, โ€œEV+A 98″,CIRCA, Irish and International Contemporary Visual Culture Winter 1998: 39, 40.
  • Morrison, Angeline, โ€œEV+A 1998โ€, The Sunday Tribune, Dublin, Ireland 11 October 1998

1997

Blankstein Amy, โ€œKarin Giusti, White House/Greenhouse, 1996 New York, New Yorkโ€, Sculpture September 1997, vol. 16, no. 7: 27

1996

  • Cotter Holland, โ€œSculpture that Basks in Sunlight and Airโ€, The New York Times, 9 August 1996.
  • Gear Josephine, โ€œSite Specific, Public Sculpture by Armajani and Giustiโ€ Review: Reviews & Previews of Current Exhibitions in New York 15 September 1996

1995

  • โ€œAffirmative Actions: Artist at Workโ€, The New Yorker,7 August 1995.
  • Cotter, Holland, โ€œSculpture Not Meant to Last Forever, Much Less Past Summer. Socrates Sculpture Parkโ€, The New York Times, Friday 18 August 1995: C22.
  • Gluck, Grace, โ€œGarbageโ€œ , The New York Observer, New York 13 March 1995, vol. 9, no.10.
  • Lacy, John, โ€œA Hothouse of American Ingenuityโ€, The Hartford Currant, Wednesday 30 August 1995: E3.
  • Levin, Kim,โ€œGarbageโ€, The Village Voice, 8-14 March 1995.
  • Rosoff, Patricia, โ€œThe Greening of the White Houseโ€, The Hartford Advocate, 10 August 1995: 25.
  • Smith, Roberta, โ€œAnchor and Balm for Restless Soulsโ€, The New York Times, Friday 4 August 1995: C1

1994

Zimmer, William, โ€œEverything I Say Is Art, She Saidโ€, The New York Times, 1 May 1994: 18 CN

1993

  • Kimmelman, Michael, โ€œOutdoor Sculpture in Reviewโ€, The New York Times, Friday 6 August 1993: C30.
  • Schwendenwein, Jude, โ€œDress Code: Clothing as Sculptureโ€, Sculpture November/December 1993, vol. 12, no. 6.
  • โ€œTemporary Public Art: Karin Giustiโ€, The Smithsonian Associate, January 1993, vol. 21, no. 5: 39

1992

Gillette, Jane Brown,โ€œThe Art of Livingโ€, Historic Preservation, The Magazine of the National Trust for Historic Preservation,March/April 1992, vol. 44, no. 2: 52

1991

  • Broadrup, Elizabeth, โ€œKarin F. Giusti, The World is Your Oysterโ€, Sculpture Spring 1991: 55.
  • Scalora, Sal, โ€œFlights of Fancy, A Connecticut Artist. Showcase at Bradley Internationalโ€ The Hartford Advocate, 18 February 1993: 12.
  • Shearer, Linda, โ€œContemporary Sculpture at Chesterwood 1991โ€, Exhibition Catalogue published by The National Trust for Historic Preservation, Washington D.C. 1991.
  • โ€œString of Pearlsโ€, The Berkshire Eagle, Saturday 6 July 1991: B1.
  • Wright, Patricia. โ€œSculpture Hits the Big Timeโ€, Daily Hampshire Gazette, Thursday 20 September 1991: 19

1990

  • Schwendenwien, Jude. โ€œ College Park Maryland: Trouble in Paradise, The Art Gallery, University of Marylandโ€, Contemporanea International Art Magazine, December 1990, no 23: 103.
  • Schwendenwien, Jude. โ€œPublic Art: Scale, Symbolism & Spectacleโ€, Art New England, July/August 1990: 25 & 45.
  • Zimmer, William. โ€œSculpture is Feisty and Raucous”, The New York Times, Sunday 8 July 1990

1989

  • Friis-Hansen, Dana, โ€œTrouble in Paradiseโ€, MIT List Visual Arts Center, Exhibition Catalogue,MIT Press, October-November 1989.
  • Tomin, Christian, โ€œMIT Show Successfully Tackles Some Timely, Controversial Issuesโ€, The Boston Globe, 12 November 1989

1987

Kruger, Deborah, โ€œEighty Bundles of Sticks In a Meadow: Installations Incorporating Sound, Light, Form, and Content Blurring the Old Boundaries of โ€žArt.โ€Ÿ โ€, The Valley Advocate, 12 January 1987

1986

  • Bonenti, Charles, โ€œInstallation at Imageโ€, The Berkshire Eagle, November 1986.
  • Chastain, Frances, โ€œA Space of Our Own: Bedrock is the Title of An Exhibition by Artist Karin Giustiโ€, Daily News,Springfield, Massachusetts, Thursday, 20 March 1986: W-2.
  • Russell, Gloria, โ€œDiscovery, At Mt. Holyoke: Exhibit in Stockbridgeโ€, The Sunday Republic, Springfield, Massachusetts, 14 September 1986: E-6.
  • Russell, Gloria, โ€œGeneric Structure with a Timeless Messageโ€, The Sunday Republican Wadas.
  • Walter E., โ€œList Visual Arts Center, MIT/Cambridge: Trouble in Paradiseโ€, Art New England,December/January, 20 March 1986: F6.
  • Waisnis, Edward, โ€œBedrock: Bungalows for a Post-Nuclear Ageโ€, Stroll: the Magazine of Outdoor Art and Street Culture, November/December/January 1986, vol. 2, no. 2: 23.
  • Waisnis, Edward, โ€œThe Quadrangle Green/Springfield Karin Giustiโ€, Art New England,Summer 1986, vol. 7, no. 7: 19

1984

1984 Bonenti, Charles, โ€œChesterwood/Stockbridgeโ€, Art New England, October 1984, vol. 5, no. 9: 17


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