Bibliography

2004

  • Faingold, Scott, “Urban Experience”, Houston Press,16-18 September 2004.
  • Gennoccio, Benjamin,“Skeletons of Sweetness and India Ink Mutants”,The New York Times, 20 June 2004.
  • Glentzer, Molly, “Sculptor Sees White House As a Way To Inform Voters”, Houston Chronicle, 17 September 2004.
  • Lon Harrist, Eileen, “News & Views”,Gambit Weekly, New Orleans, LA, 10 August 2004.
  • Rousselot, Fabrice, “Les Artistes Se Mobilisent Contre Bush”, Le Figaro, Paris, France, October 2004.
  • Sean, Buffalo, “Art Things to Ponder”, Free Press Houston, 1-15 September 2004

2003

Lombardi, D. Dominick, “Signs & Symbols, a Conversation with Karin Giusti”, Sculpture June: 53-57

2002

  • Carney, Margaret, Ph.D. “Visual Perspectives: Fourteen Years of the Virginia Groot Awards”, The Virginia A. Groot Foundation 2002: 68-71.
  • “Chelsea Rising”, Art Papers September-October 2002: 38-39.
  • Stewart, Mary, “Launching the Imagination”, McGraw–Hill Higher Education 2002: 9-19.
  • Young, Lucie, “Barn Noble: This Converted Barn was Transformed into an Elegant Home for a Professional Couple and their Art”, Metropolitan Home May/June 2002: 137-143

2001

  • Berwick, Carly, “Karin Giusti, Nikolai Fine Art”, Art News November 2001, vol. 100, no. 10: 179.
  • Television Rai Uno, Artissima Fair Coverage, Turin, Italy
  • Bookhardt, Eric D., “Reviews Southwest: New Orleans”, Artpapers September/October 2001, vol. 25.5: 28 & 39.
  • Carlson, Nina, “Paper”, The Aldrich Museum of Contemporary Art, Exhibition Catalogue, Ridgefield, CT 21 January- 20 May, 2001: 20-21.
  • Heartney, Eleanor, “Chelsea Rising at the Contemporary Arts Center”, Art in America November 2001, no. 11: 155.
  • Israel, Stephen, “Acclaimed Artist Prizes Her Place in Community”, The Times Herald Record , 3 July, 2001.
  • “New Orleans: the Chelsea Rising”, Flash Art News May/June 2001:78.
  • Princenthal, Nancy, “Paper, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut”, Art on Paper July-August 2001.
  • Rubins S. David, “Chelsea Rising”, The Contemporary Arts Center, New Orleans, LA, 3 March-9 June 2001: 9,44.
  • Schwendener, Martha, “Karin Giusti, Nikolai Fine Art”, ArtForum November 2001, vol. XL, no. 3: 147-148.
  • Zimmer, William, “On Paper a Show that Measures Up”, The New York Times, 18 March 2001

1999

  • “Art at the St. John the Divine, Karin Giusti: Safety Net”, SIMON SAYS, A Critical Guide, NY, December 1999.
  • “BILLBOARDS, Art on the Road”, Mass MOCA. The MIT Press 1999: 22. (Con‟t)
  • “Exhibitions Art”, The Cathedral of Saint John the Divine, Newsletter Winter 1999, vol. 12, no. 7: 2

1998

  • Dunne, Adrian, “Grand Scale Exhibition in Limerick”, The Irish Times 14 October 1998: 12.
  • Fletcher, Annie, “EV+A 98″,CIRCA, Irish and International Contemporary Visual Culture Winter 1998: 39, 40.
  • Morrison, Angeline, “EV+A 1998”, The Sunday Tribune, Dublin, Ireland 11 October 1998

1997

Blankstein Amy, “Karin Giusti, White House/Greenhouse, 1996 New York, New York”, Sculpture September 1997, vol. 16, no. 7: 27

1996

  • Cotter Holland, “Sculpture that Basks in Sunlight and Air”, The New York Times, 9 August 1996.
  • Gear Josephine, “Site Specific, Public Sculpture by Armajani and Giusti” Review: Reviews & Previews of Current Exhibitions in New York 15 September 1996

1995

  • “Affirmative Actions: Artist at Work”, The New Yorker,7 August 1995.
  • Cotter, Holland, “Sculpture Not Meant to Last Forever, Much Less Past Summer. Socrates Sculpture Park”, The New York Times, Friday 18 August 1995: C22.
  • Gluck, Grace, “Garbage“ , The New York Observer, New York 13 March 1995, vol. 9, no.10.
  • Lacy, John, “A Hothouse of American Ingenuity”, The Hartford Currant, Wednesday 30 August 1995: E3.
  • Levin, Kim,“Garbage”, The Village Voice, 8-14 March 1995.
  • Rosoff, Patricia, “The Greening of the White House”, The Hartford Advocate, 10 August 1995: 25.
  • Smith, Roberta, “Anchor and Balm for Restless Souls”, The New York Times, Friday 4 August 1995: C1

1994

Zimmer, William, “Everything I Say Is Art, She Said”, The New York Times, 1 May 1994: 18 CN

1993

  • Kimmelman, Michael, “Outdoor Sculpture in Review”, The New York Times, Friday 6 August 1993: C30.
  • Schwendenwein, Jude, “Dress Code: Clothing as Sculpture”, Sculpture November/December 1993, vol. 12, no. 6.
  • “Temporary Public Art: Karin Giusti”, The Smithsonian Associate, January 1993, vol. 21, no. 5: 39

1992

Gillette, Jane Brown,“The Art of Living”, Historic Preservation, The Magazine of the National Trust for Historic Preservation,March/April 1992, vol. 44, no. 2: 52

1991

  • Broadrup, Elizabeth, “Karin F. Giusti, The World is Your Oyster”, Sculpture Spring 1991: 55.
  • Scalora, Sal, “Flights of Fancy, A Connecticut Artist. Showcase at Bradley International” The Hartford Advocate, 18 February 1993: 12.
  • Shearer, Linda, “Contemporary Sculpture at Chesterwood 1991”, Exhibition Catalogue published by The National Trust for Historic Preservation, Washington D.C. 1991.
  • “String of Pearls”, The Berkshire Eagle, Saturday 6 July 1991: B1.
  • Wright, Patricia. “Sculpture Hits the Big Time”, Daily Hampshire Gazette, Thursday 20 September 1991: 19

1990

  • Schwendenwien, Jude. “ College Park Maryland: Trouble in Paradise, The Art Gallery, University of Maryland”, Contemporanea International Art Magazine, December 1990, no 23: 103.
  • Schwendenwien, Jude. “Public Art: Scale, Symbolism & Spectacle”, Art New England, July/August 1990: 25 & 45.
  • Zimmer, William. “Sculpture is Feisty and Raucous”, The New York Times, Sunday 8 July 1990

1989

  • Friis-Hansen, Dana, “Trouble in Paradise”, MIT List Visual Arts Center, Exhibition Catalogue,MIT Press, October-November 1989.
  • Tomin, Christian, “MIT Show Successfully Tackles Some Timely, Controversial Issues”, The Boston Globe, 12 November 1989

1987

Kruger, Deborah, “Eighty Bundles of Sticks In a Meadow: Installations Incorporating Sound, Light, Form, and Content Blurring the Old Boundaries of „Art.‟ ”, The Valley Advocate, 12 January 1987

1986

  • Bonenti, Charles, “Installation at Image”, The Berkshire Eagle, November 1986.
  • Chastain, Frances, “A Space of Our Own: Bedrock is the Title of An Exhibition by Artist Karin Giusti”, Daily News,Springfield, Massachusetts, Thursday, 20 March 1986: W-2.
  • Russell, Gloria, “Discovery, At Mt. Holyoke: Exhibit in Stockbridge”, The Sunday Republic, Springfield, Massachusetts, 14 September 1986: E-6.
  • Russell, Gloria, “Generic Structure with a Timeless Message”, The Sunday Republican Wadas.
  • Walter E., “List Visual Arts Center, MIT/Cambridge: Trouble in Paradise”, Art New England,December/January, 20 March 1986: F6.
  • Waisnis, Edward, “Bedrock: Bungalows for a Post-Nuclear Age”, Stroll: the Magazine of Outdoor Art and Street Culture, November/December/January 1986, vol. 2, no. 2: 23.
  • Waisnis, Edward, “The Quadrangle Green/Springfield Karin Giusti”, Art New England,Summer 1986, vol. 7, no. 7: 19

1984

1984 Bonenti, Charles, “Chesterwood/Stockbridge”, Art New England, October 1984, vol. 5, no. 9: 17